Copyright © 1893–2021 Studio International Foundation. This exhibition brings together ceramic works by four artists who, through a diversity of approaches, explore the possibilities of the medium: its fluidity, in spite of an undeniable physicality, in... Travelling from the National Portrait Gallery, London, the exhibition (23 November 2018–14 February 2019) explores the influence of Michael Jackson on some of the leading names in contemporary art. Photograph: Courtesy the artist/Victoria Miro. The handbag flap is secured by a gold-plated Alan Measles teddy, clearly in a state of high arousal. Not a bit of it. Each episode of Art Club will be themed, and Grayson is asking members of the public to send in artwork responding to each theme. Charlotte Hodes: interview It’s expressing yourself and doing something, and throwing yourself into it and getting better at it and trying again. Winner of the 2003 Turner Prize, Perry was elected a Royal Academician in 2012, and received a CBE in the Queen’s Birthday Honours List in 2013; he has been awarded the prestigious appointments of Trustee of the British Museum and Chancellor of the University of the Arts London (both in 2015), and received a RIBA Honorary Fellowship in 2016. He tells the assembled journalists: “Us liberal elite like to point and say: ‘Look at those super-rich people.’ There’s a much more powerful dynamic going on in society: the top 20% of well-educated, metropolitan, media-savvy, stylish people (in which group he assures us we are included) … have got the best of the country. But there is one piece, Traditional Society (2019) that has a little extra oomph: inspired, he says, by “one of those old, aristocratic, social-society-in-London people; posh people from the olden days who often had colonial roots”. On show for the first time outside of London, the exhibition (27 September – 24 December 2017) tackles one of the artist's primary concerns: how contemporary art can best address a diverse cross section of society. In the Royal Academy of Arts's 250th year, Grayson Perry RA takes the helm to coordinate the world’s longest running and largest open-submission show: the Summer Exhibition (12 June - 19 August 2018). The artist gives Richard Morrison a tour of his new show, Super Rich Interior Decoration. In his work, Perry tackles subjects that are universally human: identity, gender, social status, sexuality, religion. Grayson Perry: Super Rich Interior Decoration at Victoria Miro Mayfair. Recent exhibitions, commissions, publications and press, Head of Directors' Office, Client and Business Development, Sales Executive & Assistant to Matt Carey-Williams, Sales Team Coordinator & Sales Administrator, Director of Exhibitions - Head of Department, Photography, Rights and Reproduction Manager, Library Coordinator and Archive Assistant, Join Grayson Perry and critic Louisa Buck for a live online tour of Grayson Perry: The MOST Specialest Relationship. An intelligent evening (2 November 2017, sold out) of laughs, discussion, insight and costume changes in this one-off show at the London Palladium. These ground-breaking ‘lost’ pots have been reunited for the first time to focus on the formative years of one of Britain’s most recognisable artists. A talk by the artist (16 April 2019, 7–9pm) at Sarabande Foundation, the Lee Alexander McQueen Foundation, a non-profit organisation championing young creatives. Perry admits: “There is a kind of tension in this show, in that I’m taking the piss out of the people who buy my … It is plastered with old press photos of “society ladies” from the 1970s and 80s, taken by society snapper Richard Young. And does he pussyfoot around his usual topics (the UK’s ever-widening social and economic divide, or our quest for meaning and identity) or targets (the rich, the privileged and the narcissistic)? A collaboration with Yale Center for British Art, where it was first displayed, the exhibition (20 March – 17 June 2018) traces the changing nature of British studio pottery through the evolution of specific types of vessel. It’s bollocks. Please note: this event is now sold out. The real joke is that this is a real, limited-edition yoga mat, which can be purchased from the gallery (for £95) just as the limited-edition Osprey handbags can be. The exhibition (31 January–27 September 2020) crosses genres, media and timeframes to provide a playful and provocative framework for probing how Britain's literary and visual culture has perpetuated an idea of a utopian society that fosters nostalgic yearnings for a seemingly lost past. By and large, my greatest objection to the exhibition was the curation itself. -- Published to accompany the exhibition held at Victoria Miro Gallery, London, 14 October - 13 November 2004. The exhibition (13 April – 2 September 2018) is produced in collaboration with La Monnaie de Paris museum, where it will be on view during autumn 2018. A new sculpture by Perry is among the lots to be auctioned on Tuesday 3 October 2017. Published by Particular Books, the accompanying book for Perry's show at the Serpentine Gallery (8 June – 10 September 2017) contains all his latest works. Social sacrilege is meat and drink to Perry. Bubble captions erupt across this ethnographic map, each articulating pithy London-ish tropes that chime with the postcode, such as “gig economy”, “interns”, “ethically sourced”, or “high net worth individuals”. “He’s always said you can use my photographs in your work if you like. — Grayson Perry. © Grayson Perry. “I don’t say I’m standing outside it. “It’s kind of a dare.”. Grayson Perry, Money on Holiday, 2019. This show looks at how contemporary artists are influenced by the past as they seek to represent their present, and questions the nature of what a portrait depicts, Drawing as the catalyst for contemporary printmaking in the UK I carry them around with me most of the time.'. I think they’re really desirable. 'Perhaps unusually for a contemporary artist, I often prioritise how my work might flourish in a domestic setting…'. Victoria Miro Gallery, 2004 - Ceramic sculpture - 48 pages 0 Reviews Every inch of Grayson's childhood bedroom was covered with pictures of aeroplanes, and every surface with models. Grayson Perry, Osprey Bags, 2019. Before contacting or subscribing please read our Privacy Policy. However, the exhibition is available to view via the App Store on Vortic Collect until 18 December 2020. Jenny Uglow, The New York Review of Books. The making of these works was chronicled in the first of Perry’s Channel 4 television series, All In the Best Possible Taste, a 2013 Bafta Specialist Factual winner. We look at how printmaking has influenced the work of Arthur Watson, Paul Coldwell, Christopher Le Brun, Charlotte Hodes and Grayson Perry. His favourite work in Grayson Perry: Super Rich Interior Decoration is a sumptuously coloured carpet that occupies the floor of the smallest gallery. As he says: "An emotional charge is what draws me to a subject.". Grayson Perry discusses Super Rich Interior Decoration, his new exhibition at Victoria Miro Mayfair (25 September–20 December 2019), casting an anthropological eye on the heady collision of art, money, power and desire. "He is a man at the top of his game — and the queen of nimble social observation in his new London show.". Studio International is published by: Venice: Tuesday–Saturday: 10am–1pm & 2–6pm. Victoria Miro first opened her gallery in Cork Street in 1985 and relocated to a former factory situated between Hoxton and Islington in 2000. Other solo exhibitions include the Musée d’Art Moderne Grand-Duc Jean, Luxembourg (2008); 21st Century Museum of Contemporary Art, Kanazawa, Japan (2007); Andy Warhol Museum, Pittsburgh (2006); Barbican Art Gallery, London (2002) and Stedelijk Museum, Amsterdam (2002). In the intervening years, Perry has become an unlikely, pot-throwing, cross-dressing national treasure. Courtesy the artist and Victoria Miro, London/Venice. For his first solo exhibition at the gallery since 2012 – and first exhibition at Victoria Miro Mayfair – Grayson Perry presents new work including pots, sculpture, large-scale prints, a... As his latest show opens at Victoria Miro in Mayfair, the artist tells Vogue about satirising the art-buying habits of wealthy collectors, his alter ego Claire's evolving style, and "biting the hand that feeds him" with his tongue-in-cheek pottery. It would be hard to get any clearer than the yoga mat that adorns the back wall of the gallery. The exhibition (now extended until 3 January 2021) is the first to survey works made by the artist between 1982 and 1994. That’s what it’s about. In the special talk (Wednesday 21 November 2018; sold out) the artist discusses his life, career and current exhibition Vanité, Identité, Sexualité at La Monnaie de Paris (until 3 February 2019). (It is something he had previously avoided making, he says, because: “It’s one of the sacrileges of the ceramics world: interior decorators making pots into lamps.”) He has called it Money on Holiday (2019). He works with traditional media such as ceramics, cast iron, bronze, printmaking and tapestry, and is interested in how each historic category of object accrues intellectual and emotional baggage over time. He has staged major exhibitions at pretty much all the UK’s leading institutions, including the British Museum, the National Portrait Gallery and the Serpentine, and had blockbuster shows internationally. This resulted in a large wall tapestry in the main gallery, titled – unsurprisingly - Large Expensive Abstract Painting (2019). The theme of desire gets several airings, including Shopping for Meaning (2019), a vase depicting Perry in wig, headscarf and an assortment of outfits posing for photographs outside London’s most expensive designer stores; he looks pretty thrilled with his lot in all of them. The title of the show came from a throwaway comment made by a supercilious architect about his curation of the RA show last year, in which Perry picked out specific colours as a way to group works. COURTESY THE ARTIST AND VICTORIA MIRO. He even curated last year’s Royal Academy summer show. A new work by the painter will feature in Victoria Miro’s online exhibition as part of the Reprieve Collective on Vortic Collect, which launches 10 December to mark Human Rights Day. Grayson Perry, Sponsored by You, 2019. He has even gone against the stereotype of the lefty activist artist to create a Vote Tory vase, emblazoned with the gurning faces of assorted current Conservative party members, peppered with pretty flowers and great, Ralph Steadman-ish sprawling red letters, which drip – presumably - with the blood of the crushed underclasses. All general enquiries should be sent to info@victoria-miro.com. Courtesy the artist and Victoria Miro, London/Venice. Grayson Perry discusses Super Rich Interior Decoration, his new exhibition at Victoria Miro Mayfair (25 September–20 December 2019), casting an anthropological eye on the heady collision of art, money, power and desire. Works are available to view at a public exhibition at Coutts, The Strand (23–27 September 2019) and will be sold on behalf of Willow, a national charity working with seriously ill 16–40 year olds, at a private auction at Coutts on 25 September 2019. Born in Chelmsford, Essex in 1960, Grayson Perry lives and works in London. 'They did, as I predicted, end up looking quite the same,' Perry said. Perry’s second Bafta-winning television series Who Are You?, about identity, was broadcast in 2014, accompanied by a solo presentation of works at the National Portrait Gallery, London. Yet, for Perry, emotional investment - making work about the things we care about - is key. Victoria Miro is the quiet woman of British art: visionary but not in the grandstanding way of some of her more famous counterparts. Grayson Perry was born and grew up in rural Essex. If I can make my statement more obscure and impenetrable than the last person, I’m more serious than the next person. With these six enormous tapestries Grayson Perry – the country’s most loved transvestite potter – takes on class. Politics, consumerism, history and art history are bound up in the work, in both subject and medium. Obviously I want to know how he positions himself in all this mockery of wealth, now that his pots sell for hundreds of thousands of pounds. Pots are his bestselling items, he reveals to us later. 16 Wharf RoadLondon N1 7RWt: 44 (0)20 7336 8109. The UK’s first major exhibition (26 October 2017 - 28 May 2018) of artists’ responses to war and conflict since the terrorist attacks on 11 September 2001, Age of Terror: Art Since 9/11 will feature more than 40 British and international artists. Another, Searching for Authenticity (2019), is emblazoned with the items of clothing that once symbolised a rejection of the status quo (leather jackets, beards, CND banners) but that are now worn to signal aspirational lifestyle choices, however transitory; rebel for a day. Yale Center for British Art, New Haven, CT. Grayson Perry: The Most Popular Art Exhibition Ever! Only when we are up close do we start to absorb narratives that might allude to dark subjects such as environmental disaster or child abuse, and even then the narrative flow can be hard to discern. Pots sell really well. Grayson Perry talks to Vogue ahead of his exhibition Super Rich Interior Decoration As his latest show opens at Victoria Miro in Mayfair, the artist tells Vogue about satirising the art-buying habits of wealthy collectors, his alter ego Claire's evolving style, and "biting the … Oh joy of joys - Grayson is back - in a diverse number of ways - on TV, at the British Museum and with a new exhibition! 100% pure new wool, 200 x 300 cm (78 3/4 x 118 1/8 in). Photo: Veronica Simpson. But it isn’t abstract at all: it’s a liverish, lively, anthropological tribute to London – “the spiritual home of the super rich”, Perry quips - shot through with the silvery blue, snaking contours of the Thames. Photo: Veronica Simpson. The exhibition (25 July–2 November 2019), which is the final stop of Julie Cope’s Grand Tour, includes the complete series of tapestries and a selection of artefacts from A House for Essex. The former is exemplified by My Perfect Life (2019), plastered, scrapbook style, with images from Instagram: “All these people want to express their individuality, but they all end up looking the same,” says Perry. 'Colour and fun, colour and fun. Grayson Perry talks about his work and his current Serpentine Galleries exhibition, The Most Popular Art Exhibition Ever! You will find links at the bottom of all emails we send from our mailing list which allow you to Update your preferences to change the way we contact you, or Unsubscribe if you want to opt out. 25 September - 20 December 2019 We are also closed on Sundays, Mondays and public holidays. Courtesy of Grayson Perry and Victoria Miro. Facing History: Contemporary Portraiture The artist’s first exhibition with the gallery will be held in summer 2021. All in the Best Possible Taste, C4, June 12, 10pm. Kiasma Museum of Contemporary Art, Helsinki. Grayson Perry: Julie Cope’s Grand Tour review — weaving a tale with wit and ingenuity ... Julie Cope’s Grand Tour: The Story of a Life, by Grayson Perry. Tapestry. So this show is about money and power, but also desire, a theme explored, with varying degrees of rancour, on several large new pots. The exhibition (5 July 2019–8 March 2020) is a celebration of maps and what they tell us about the places they depict and the people that make and use them. This exhibition is available to view virtually on Vortic Collect until 18 December 2020. Get this from a library! ARCHITECTURE + CERAMICS = SCULPTURE 'I want people to acknowledge that we're complicated,' the artist tells Christiane Amanpour as they tour Super Rich Interior Decoration at VM Mayfair. Perry’s most recent series, Rites of Passage, in which he helps people to tailor ceremonies that are appropriate to their personal situations, was first broadcast by Channel 4 in 2018. Grayson Perry has dressed down for the opening of his first commercial show in seven years: on this particularly wet, autumnal day, he is wearing rain-dipped blue chinos and a T-shirt. The artist’s A House for Essex, a permanent building designed in collaboration with FAT Architecture, was constructed in the North Essex countryside in 2015. The Praemium Erasmianum Foundation has announced that Grayson Perry is the recipient of the Erasmus Prize 2020. Now either Perry or his gallery - or both - feel it's time to re-engage with his wealthy collector base. “You have to twist his nob to open the bag,” says Perry, then adds at full volume: “There’s a metaphor in there somewhere! As you would expect, with Perry, there are multiple layers of witty and perceptive associations, visual and verbal. The background is a collaged pattern of different types of carpets – of the kind you would expect to find in the relevant neighbourhoods according to their aspirations or tastes. Just as an apparently benign or conservative medium such as ceramics is used to convey challenging ideas, Perry's tapestries take an art form traditionally associated with grand houses - depicting classical myths, historical and religious scenes and epic battles - and play with the idea of using this ancient allegorical art to elevate the commonplace dramas of modern British life. There are multiple layers of mischief with these bags, of course: inside the flap, Perry has scrawled the cliched aspirations of affluence, “things such as ‘private school for my kids’, and ‘house prices up, hurrah,’ all the kinds of things you might talk about when you’re at one of those restaurants where they give you a stool to put your handbag on. opens at Arnolfini, Bristol, on 27 September 2017. Grayson Perry is known for approaching his work with an anthropological eye. The first annual exhibition (15 January – 27 April 2018) at Windsor in a three-year collaboration with the Royal Academy of Arts, London. One of the main currencies in the art world is seriousness. Institutional venues for other recent national and international solo exhibitions include Vanité, Identité, Sexualité, Monnaie de Paris (2019); The Most Popular Art Exhibition Ever!, a major presentation of his work, which was on view at Serpentine Galleries, London, during the summer of 2017, travelling subsequently to Arnolfini, Bristol; ARoS Aarhus Art Museum, Aarhus (2016); Bonnefantenmuseum, Maastricht (2016); Museum of Contemporary Art, Sydney (2015 – 2016) and Turner Contemporary, Margate (2015). Nicholas Rena’s monumental, eloquent ceramics are exhibited alongside the painting of Matthew Smith at Marsden Woo Gallery in London. Grayson Perry.. [Grayson Perry; Victoria Miro Gallery.] 'Art is the greatest asset to mental health I have. He has given the BBC Reith lectures, fronted TV documentaries about taste – investigating, with irreverence and glee, every aspect of how class-conscious Brits declare their aspirations to belong to a specific tribe by how they dress, live and shop – as well as more poignant reflections on masculinity. A more contemporary snapper – of society in all its richness and diversity – is also included in the show: Martin Parr, a friend of Perry’s. The Charms of Lincolnshire allows Perry the possibility to think and create work about the countryside.... Grayson Perry creates seductively beautiful pots to convey challenging themes: at the heart of his practice is a passionate desire to comment on deep flaws within society. Courtesy the artist and Victoria Miro, London/Venice. 'Sketch books are the most talismanic objects in my artistic life. On Thursday 20 Jul 2017, 3.30 - 4.30pm, in the Serpentine Pavilion, Grayson Perry will be signing copies of the catalogue for his current Serpentine Galleries exhibition. Victoria Miro Gallery, London. Profound things can be hilarious.” He muses over the fact that “people are scared of humour. If I made endless shows of typical pieces, they’d sell out really easily.” Obligingly, he has created at least a dozen pots, grouped in the main gallery, which anatomise desire, from social media tropes to the futility of shopping for happiness. The Vanity of Small Differences, Perry’s monumental suite of tapestries exploring the subject of taste in contemporary Britain, was first shown at Victoria Miro, London, in 2012 and was acquired by The Arts Council Collection and British Council and has subsequently toured throughout the UK and Europe. Launching at 8pm on 27 April 2020, the series will offer master classes, top tips and inspiration. The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. Are these images or topics given extra weight by being slapped on an expensive, arty pot? The exhibition (14 September – 3 December 2017) tells the story of studio pottery in Britain, from the early twentieth century to the present. It depicts a homeless man, sprawled halfway out of his sleeping bag, his cup of coins spilling on to the pavement, while the detritus of his life is spread out around him: a skeletally thin dog, used bottles and cans and fast-food containers and wrappers. A Crafts Council touring exhibition (5 May – 28 July 2018) of two large-scale tapestries. “I just wanted to make something that was jolly and fun,” he says. Work by the artist is held in museum collections worldwide, including The British Museum, London; Tate Collection, London; Bonnefanten Museum, Maastricht; Museum of Modern Art, New York; National Gallery of Victoria, Melbourne; Stedelijk Museum; Amsterdam; Victoria & Albert Museum, London and Yale Center for British Art, New Haven among many others. “There is this idea that profound things are always depressing. © Grayson Perry. Here we see four of the 10 colourways that Perry has conjured with this elite British brand (only £1,800 a pop). 25 September - 20 December 2019. In the manner of the classic Afghan rug on which it was apparently based, this scene is bordered by a variety of homes, from opulent villas to cosy cottages; all the better to emphasise the homeless man’s depleted state. So I said: ‘Yeah, that’s what we all do us artists: super-rich interior decoration.” Which immediately struck him as “good inspiration for a commercial show”. A small display (23 February – 3 June 2018) of photographs and spreads from one of Perry's early photo albums. !” That’s Perry in a nutshell – trampling with great bravado over our social faultlines, and in so doing, exposing the myriad connections between horror and humour, vulgarity and sophistication. Perry's exhibition (8 June - 10 September 2017) will tackle one of his central concerns: how contemporary art can best address a diverse cross section of society, confronting subjects that are universally human. 'It’s clever, knowing and deeply touching.'. The humour is vital, he says. Photo: Veronica Simpson. 25 September - 20 December 2019 Grayson Perry, Early English Motorcycle Helmet (1981). Examining the relationship between nature and culture through the prism of the body, this exhibition (21 February–3 October 2020) brings together historical sources and artworks ranging from prehistory to contemporary art in a variety of media. Published by Thames & Hudson, this updated and expanded third edition of the definitive book on the artist launches 21 May 2020. Studio. Grayson Perry offers insight into his artistic practice, influences and view of the world at this event, organised in association with Arnolfini (24 October 2017, now sold out). Perry admits: “There is a kind of tension in this show, in that I’m taking the piss out of the people who buy my art, but also benefiting greatly from their largesse.” He draws our attention to one of the most vicious works, a piece called Sponsored by You (2019), saying: “Here’s Alan Measles (Perry’s childhood teddy bear) and Claire (his alter ego) driving through Silicon Valley.” Fuelled by “pure greed” (the words written across the engine), the bodywork of this sporty little, acid-green number is emblazoned with global tax havens, displayed as sponsors (Macau, Jersey, Luxembourg, Panama). Photo: Veronica Simpson. American artist Anne Chu uses a variety... Before contacting or subscribing please read our, Christian Holstad, Grayson Perry, Tal R, Betty Woodman. The exhibition is available to view virtually on Vortic Collect until 18 December 2020. Having decided to squarely and satirically target the rich, Perry “spent a morning going through Google looking at lots of rich people’s houses, what they looked like, and I noticed that quite often in the main room they always had a big abstract painting, like a statement thing”. Perry delivered The Reith Lectures, BBC Radio 4’s annual flagship talk series, in 2013; his ensuing book Playing to the Gallery is published by Penguin. Victoria Miro Mayfair 2019. He is also this year’s winner of the Art Fund Prize, announced at the 2010 Collect Design Fair held at the Saatchi Gallery on 14 May 2010. Grayson Perry is a great chronicler of contemporary life, drawing us in with wit, affecting sentiment and nostalgia as well as, at times, fear and anger. Heong Gallery, Downing College, University of Cambridge. Victoria Miro, Mayfair, London 25 September – 20 December 2019. In these new works, the artist casts an anthropological eye on the heady collision of art, money, power and desire. Grayson Perry, Victoria Miro Mayfair, London 2019. Which is why you end up with the ridiculous language they use in magazines; it’s like an arms race of seriousness. I’m trying to get everything to zing off each other.'. The forms of the pots may be traditional, but Perry resolutely distances himself... Anne Chu, Hiroko Nakao, Jacco Olivier, Grayson Perry, Tal R, Adriana Varejão This exhibition features six artists from Asia, the Americas and Europe whose work extends the possibility of painting beyond the canvas. Covered with sgraffito drawings, handwritten and stencilled texts, photographic transfers and rich glazes, Perry's detailed pots are deeply alluring. Just be clear.”. If you’ve ever been inside Victoria Miro Mayfair, then you know that space is limited and so placement becomes an even more crucial element in designing a legible and coherent exhibition. All rights reserved. Vote Tory, 2019. We like to point and sneer, but,” he says, his voice dropping to a whisper: “We’re part of the problem.”. I’ve been at a couple of events recently where people get their reusable water bottle out and bang it on the table and they’ve got their tote bag with their yoga mat sticking out of it … It’s that Gwyneth Paltrow world.”. But a nice spinoff benefit of that is that I bring a kind of audience that isn’t necessarily solely into difficult, conceptualized 21st-century art.". At his best, Perry is a pot-throwing, rug-weaving Hogarth, spearing our delusions and vanities with a uniquely powerful mix of bile and humour. The series All Man, which considered masculinity, followed in 2016, with Allen Lane publishing the related book The Descent of Man. 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